Saturday, July 26, 2014

The Problem of Olaf






By now, unless you have been living in a cave, you must have seen all or part of Disney’s megahit puberty-analogy Frozen.  If you haven’t seen it…you probably know all the songs…by heart.  If you have any connection with kids, you know the adventures of Anna and Elsa, Kristoff, Hans and Sven.  And while they all have their interesting quirks, I need to talk about the major problem of Frozen:
                Olaf.
                Olaf is a snowman who comes to life magically (we are not told exactly how this happens, but just go with it) and helps the protagonists solve the problem of ‘eternal witness.’   We will bypass the problem of whether Olaf is actually alive, because even he is unsure:
                Elsa: Olaf? Are you alive?
                Olaf: I….think so!
                We will just assume that he is alive and proceed from there.  But other problems become evident within a few seconds of meeting Olaf.  The heroes Anna, Kristoff, and Sven (the reindeer) are looking for Elsa and they are wandering through a magic winter wonderland, when all of a sudden they hear the voice of Olaf the snowman.  After some funny shenanigans, Kristoff and Anna tell Olaf that they are trying to bring back summer.  Notice then what Olaf says:
                Olaf: Oh, I don't know why, but I've always loved the idea of summer, and sun, and all things hot...
                Did you notice the word ‘always…’  Exactly how old is Olaf? According to the timeline of the movie, he is maybe a day old, but more than likely he is under 24 hours old.  So….when exactly did he think about summer? How does he even know about summer? How could he have ‘always’ thought about something that he has never experienced and really never knew about.  Where did he get the idea of summer? Did he meet other people and they told him? Or did he read a book (but he would have had to find the book…)  We have a couple of options to solve this.
                The first would be to believe in a preexistent Olaf.  We know from the movie’s prologue that Anna and Elsa used to make Olaf the snowman when it snowed.  So maybe his consciousness was stored in that snowman and he learned back then.  The idea would be then that he would melt back into the snow only to be reawakened the next time it snowed and the next time Anna and Elsa built a snowman.  His life would then be a horrible cycle of being built and melting over and over again.  Of course there were about the 15 years that went passed when Anna and Elsa did NOT build a snowman.  What was Olaf doing then? Was he trapped in limbo? Did he know what was going on? Can you imagine the horror of our poor snowbound friend as he waited and waited to be come alive in snowman form, but nobody actually built a snowman? That actually helps create more drama for the song Do you want to build a snowman?  We can imagine our poor Olaf silently screaming out ‘Yes’ in horror and desperation as he watched Elsa ignore Anna’s pleas to build a snowman.
Help! I'm trapped in eternal pain! 

                But the idea of a pre-existant Olaf seems to be discounted by the film’s ends.  In one of the last scenes, Olaf is about to melt when he says:
                Olaf: Hands down, this is the best day of my life.  And quite possibly the last.
                Olaf is aware that he is dying (and even though he laughs at it, we can see that some sort of finality there). So, he is expecting then to die and go away…so he has no recollection of being in limbo, so maybe that’s not the answer.
                The second suggestion would be that Olaf isn’t really alive at all.  After all, we still have Olaf’s uncertainty about the question.  We also have his acknowledgement that he has no real active biology.
                Olaf: I don’t have a skull.  Or bones.
                So how then can Olaf know things (like how to sing or dance, knowing about knocking, or knowing about love).  How does he do this?
                I think if we go down this route, we have to see Olaf as a projection of Elsa’s unconscious self.  After all, Elsa is the one who makes Olaf come ‘alive’ and she is the one who continues his existence at the end of the movie.  Perhaps, Olaf represents a more innocent part of Elsa’s mind, one that that finds joy in the simplest things.  We know that Elsa can sing…because the entire movie is about the song Let it Go, although she technically never dances in the film (she pawns the old guy off on Anna).  So maybe Olaf is simply the projection of Elsa’s inner self.  This would explain Olaf’s sudden desire for Anna and Kristoff and Sven to share summer with them (Olaf: and you guys will be there too).  Why would he want Anna there? Maybe Elsa is using Olaf to reach out to her sister…..
             
Olaf is frozen.....just like my heart! 
   But this doesn’t explain the need to keep Olaf around at the end of the movie.  Elsa could have just made him go away as she came the realization that she loved her sister and could be emotionally reunited with her.
                So maybe….just maybe….we need to go with the third explanation.
               



  Olaf is really the villain of the movie.
                This explanation requires the same preexistent Olaf, but sees his apparent non-knowledge of this as a deliberate deception in order to maintain his existence.
                We know that Olaf is around in the beginning.  Elsa manifests a snow that looks exactly like Olaf. When Elsa gets angry later on the film, she sets the entire kingdom into a perpetual frozen snow and ice kingdom. 
                Who exactly benefits the most from this?

                OLAF! 

If the kingdom is in perpetual snow, then he is the only one who is perfectly adapted to the weather.  While everyone else will freeze, Olaf can walk around unabated and is the only one who can really rule the kingdom.  Besides, if this was truly Olaf’s plan from the beginning, this helps make perfect sense of:
                -Olaf’s reluctance to tell Anna where Elsa was (Olaf: Yeah, why?)
                - His disobedience as he bursts in on Anna and Elsa’s conversation
                - His desire to get Anna away from the trolls before they can help her (Olaf: why aren’t you running?)
                - His interference with Anna and Kristoff (Olaf: I guess Kristoff doesn’t love you enough to leave you behind)  In this understanding, that last line can only be read as a devious plot on Olaf’s part to keep Anna and Christof apart so they can’t kiss and make summer come back (he assumes, like most of us that the act of true love was the true love’s kiss).
 Behold the face of horror!!! 


                And so you see…there is a problem when it comes to Olaf and his existence.  No matter how you cut it…Disney has some ‘splaining to do.

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